Whether you're an experienced writer or just starting out, a Writers' Group is a great way to support your writing journey, especially as writing is such a solitary exercise.
In March 2012, I set up a Writers' Group. There were four of us at the beginning, until a bit of networking and we are now five. Our format has been tried and tested before and it works really well. We meet fortnightly for two hours and each of us have a platform of about 20 minutes to share where we are at with our writing. This may include discussing works in progress, a poem or two written, or an extract from a short story. There are no rules about the genre of writing. It is a truly liberating experience to share your writing, and yes, it does sometimes feel a little vulnerable bearing your soul, although there is absolutely no pressure to do so.
What follows is constructive feedback, e.g. suggestions on how to move a story forward, on how to use different writing techniques, i.e. photo poems, clustering (brainstorming) to inspire and evoke ideas. The greatest value is in airing work that may have been sitting for some time as a computer file or as a piece of writing in your journal.
Since the Writers' Group, I have set down some goals and completed quite a few assignments that I know I may not have even felt inspired enough to complete on my own. Just saying out-loud what I'd like to get done before each session, is enough discipline for me to make sure I get the work done. I have gained lots of support too as this group of like-minded individuals are a joy to link up with; I really look forward to each session.
If you're finding it a bit of a struggle writing on your own, I would strongly recommend either joining a Writers' Group or starting one up of your own.
For more tips, visit:
http://theadventurouswriter.com/blogwriting/tips-for-starting-a-writers-group/
Saturday, 28 July 2012
Friday, 13 July 2012
Writing for Children - Dialogue
Assignment 5 of my Academy of Children's Writing Course covered dialogue. Here is one of my writing tasks intended for 'a boy who is about 9 years' old:
“Do you know Kev, you’ve always
got your head stuck in a book, you need to be careful it doesn’t
stay there forever,” said Robert.
“What do you mean, don’t be daft,” said Kevin, smiling.
“I’m serious Kev,” said Robert. “It’s just not cool, all
this book stuff.”
“What do you know, you haven’t even got a book in your house,”
said Kevin.
“Exactly, there are no books, because I don’t need to read them,”
said Robert.
“Look,” said Kevin. “You’re
missing out on some great stories and you can learn lots of new words
too.”
“Yeah, whatever,” said Robert.
“I’m serious, OK, do you know what vocabulary means? asked Kevin.
“Vocabu what?” said Robert.
“Vocabulary you idiot,” said Kevin.
“Oh, vocabulary, yes of course I know,” said Robert. “Why?”
“So, Rob, what does it mean?
asked Kevin.
Suddenly, Robert stood up and made for Kevin’s bedroom door.
“I’m out of here,” said Robert.
“Hang on a minute, you don’t know do you? said Kevin.
Robert looked down at his trainers and shifted his feet.
“Listen, Kev, just get your head back into your book,” said
Robert.
“Rob, it’s OK, it’s just that words are so cool,” said Kevin.
“For you maybe, but I’m not into them; maths is my subject, you
know where you are, one and one is two, easy,” said Robert.
“Yeah, but it sounds like you’re
scared of words,” said Kevin.
“Yeah right, you’re the scary one – Mr Walking Dictionary,”
said Robert.
“Sticks and stones may hurt my
bones, but words will never hurt me, Rob, stop ducking and diving,”
said Kevin. “I can help you.”
“I don’t need your help,” said Robert.
“Really, look I used to find
English lessons hard, until my mum got me a tutor and now I have a
vocabulary book, where I write new words and their meaning so I
don’t forget,” said Kevin.
“What, so that worked eh, sounds
like magic,” said Robert. “You sure you don’t fancy your
tutor?”
“No way, she’s well old, at least twenty five,” said Kevin.
Robert burst out laughing. Kevin then reached into his bookcase and
showed Robert his vocabulary notebook.
“Take a look,” said Kevin.
Robert hesitated for a few seconds and then took hold of the small
red coloured pocket size note book.
“Wow, there are non-stop words in here,” said Robert. You can’t
seriously know them all.
“I sure do and I didn’t swallow a dictionary either – you can
test me on any word you like,” said Kevin.
“OK, what does accommodation mean?” asked Robert, slowly sounding
out the word.
“It means a place to live or work,” said Kevin.
“Yeah, but, wouldn’t it be easier to just use the word home or
office?” asked Robert.
“Well, no, smarty pants, because you might be in a hotel room,”
said Kevin.
“OK, you win,” Robert said, flicking through more of Kevin’s
vocabulary book. “I can’t believe I’m saying this, but I think
words aren’t so bad after all.”
Tuesday, 10 July 2012
Journal Writing
I
started to keep a journal in 1995 as a requirement of a writing
course I was studying and I haven’t stopped since. My first journal
was a small notebook, which soon had to increase to A4 size
notebooks, a much preferred landscape, which enhanced my writing
process. I alternate between A5 and A4 size journals.
There
are no rules with journal writing; all you need is a blank canvas, a
pen and you’re on your way. Sometimes I will cut out magazine or
press articles and paste them in my journal along with my
reflections. Sometimes I will write poetry, small reviews of films,
books, and travel experiences that I find inspiring. Lately, I find that I record spiritual
moments, which often arise out of the blue or from a challenging life
experience, the writing of which is often revealing.
I
have found it useful to experiment with my journaling, e.g. writing
with different coloured pens, depending on my mood. It’s the
process of writing, the physical feeling of the pen creating the
words on the page – allowing the creative artist in me to bring
forth language and string and blend words together to form sentences,
paragraphs, pages, chapters, articles, books and so on.
I
love the freedom of writing my thoughts and feelings, of choosing
when to write, how much to write, or not. I have found journal
writing to be a form of self-discovery since until you allow yourself
the luxury and indulge your creative self i.e. the writer within, you
don’t know what may come up and face you, confront you, challenge
you. This can be positive and negative – even that process creates
realism, harmony and balance in your writing.
In
September 2009, I started a Music Journal to record thoughts
and feelings about how my piano lessons, playing and practice are
progressing. I used to keep a Dream Journal so as to capture
those rare premonition dreams along with lucid and recurrent dreams
that can so easily be forgotten. A few months ago, I signed up for a
free private online journal at www.penzu.com
and I am enjoying this new experience.
Friday, 6 July 2012
My Mind is an Oak Tree
My
mind is an oak tree, solid, stable with far-reaching roots that are
unseen by the naked eye and yet travel deep throughout the earth’s
core, reaching, searching for more depth and understanding. Above
the surface, the oak tree’s unmovable trunk ascends and transforms
and moves into numerous upward directions and scans and hovers giving
shade below to anyone or anything that sits or walks by, offering a
peaceful landscape when looked at from a distance. And let’s not
forget those all unique oak tree branches, some strong enough to
support the occasional cat, and squirrel who will use them as a
transport system, strong enough too for a child and adult to climb up
in their exploration journey through childhood and adulthood –
reasons for climbing can be many.
Last but not least are the oak
trees’ leaves which sound and look beautiful when the soft breezes
create a dance; and then the summer’s blossom of pink or white
flowers take control, famous for a while and worth standing back to
absorb the view. The leaves are set free and take on a new existence
once they fall in autumn; they become a garden’s carpet for us to
leave alone until a sweeping of the dead leaves comes into play.
Their shedding abandons the oak tree, leaving it lighter so as to
restore energy for the next season’s demands.
Tuesday, 3 July 2012
Jamaica Reflections
With time-watching now a thing of the
past and no work commitments, time didn't stand still – it was mine
to do as I pleased with. Ironically, I didn't lie-in. The sun rises
early every morning in Jamaica - no clocks going back or forward –
real time sets in and the best and the least hottest time of the day
was early morning.
I'd wake up to the sounds of a cock
crowing and dogs barking mostly as hunger was calling. Days ran into
night and nights kept fulfilling their promise of relieving the day's
heat, just like the ocean's tide coming in and out.
Not being a good swimmer, I wasn't
keen to get into the ocean, although I didn't mind getting my feet
wet on occasions. Maybe it was genetic? But I wasn't all that
interested in plunging/swimming in the sea. My mother never swam;
she 'didn't like the water,' she said. I never asked why.
I became a sun-worshipper but not the
kind that would lay for hours in the sun; I didn't need to go to such
extreme measures. All that was required was for me to sit watching
the ocean, usually on a stocky tree trunk, and the sun's rays would
subtly tinge my skin so that after a period of three months I'd
develop a deep brown-skinned tone, which meant I too was not only at
peace spiritually, I was blending into the colourful landscapes.
Of course this was nothing new;
millions of people all over the world travel to see other countries
and continents, modern cities and the ruins of ancient towns, they
travel to enjoy picturesque places, or just for a change of scene.
But why did I keep returning to Jamaica? What was it about this
small island, which hosted thousands of holidaymakers for a couple of
weeks a year and yet for me, called me back again and again?
I guess I was one of those 'tourists'
during my first visit in 1996 when, seeking a budget holiday with a
lively night-life and shops and craft markets packed with bargains, I
felt right at home. Mo'Bay as the locals call it, is the second
largest city on the island and by far Jamaica's most important
tourist resort. More than 30% of the country's hotel rooms are
there. However, the resort town of Montego Bay is as far from the
'real' Jamaica as you can get, which is why it is essential to hire a
car so you can discover and immerse yourself in country-life. If
you're seeking authentic offbeat Jamaica, move on.
Luckily my first two-week introduction
into Jamaica gave me an opportunity to move on. The first week my
friend Anne and I did the usual tourist activities, including a visit
to one of the city's three 'public' beaches – Doctor's Cave –
which I was taken aback by as there was an entrance fee, something
I'd never heard of or ever experienced on holiday. The beach was
surrounded in an ugly fashion by wire fences and tall concrete walls.
There's no doubt this unattractive beach meant my visit was a
one-off.
The only time I revisited Montego Bay,
apart from landing at its Donald Sangster International Airport, was
in August 2000, specifically for Reggae Sumfest to see world-class
reggae artists. However, I have to say although I wasn't
disappointed, by far the most authentic reggae festival was 'Rebel
Salute,' held in January at St. Elizabeth. I was lucky enough to
meet a Rastafarian called Larry who invited me along; in fact that
was the reason for my second visit to Jamaica that year. I'd become
so hooked after my first reggae concert experience, I wanted more.
Having never been to a reggae concert
in Jamaica, I didn't know what to expect and was almost hypnotised by
the sheer magnificence of it. Even before I arrived, I witnessed a
3-4 mile roadblock like you've never seen. I walked a few of those
miles passing parked cars all the way along the route to the concert.
People were chatting, laughing, selling food and drinks. The venue
itself, a sports arena, was just the right size as there must have
been 3,000 of us. My first priority on arrival was to go to the
toilet, which was a good thing as it became out of bounds later on.
My friend Larry and his four 'colleagues' as he liked to call them,
decided on a space. Our driver slept in readiness for the car drive
home.
By now it was around 10pm and the
all-night-er concert was just getting started since it would go on
until around 8am. Larry had thoughtfully put a chair in the car for
me to sit on as he rightly said, “Standing for long hours will get
you mashed up.” The concert's atmosphere was trouble-free,
friendly and exciting with loud cheers of 'More Fire', flags of red,
green and gold waving majestically throughout the sky. Fire crackers
were set off individually to demonstrate appreciation of an act.
Lighters and fuel cannisters were used to lighten ascended streaks of
yellow throughout the sky sending massive clouds of smoke and smells
of fire burning. Most importantly, I witnessed brilliant music,
professionally presented using top quality sounding speakers. It was
impossible not to enjoy this; I felt as though I'd gone to heaven.
The cool, somewhat strong winds were keeping me from drifting
mentally to another dimension. The whole experience was just
electric; full of wonder and magic.
During all of this, mobile vendors
paraded selling cigarettes, chewing gum, lighters, peanuts, biscuits,
drinks and of course marijuana. I was surprised that this was the
one and only occasion that the police relaxed their powers!
At about 3am, people gradually began
to rise up. “What's happening?” I asked Larry.
“The main artists are coming on
stage,” he said.
For the next two hours, we were
blessed with performances from Luciana, Capelton and Beanie Man; the
best was definitely saved for last.
To be continued...
Friday, 29 June 2012
Why Do You Write?
Why
do you write?
I write
for several reasons; for artistic self expression, to share some
important social and/or political issue, because I feel compelled to
put pen to paper, because not to write would mean I'd feel deprived
on a spiritual, psychic and emotional level, because it's become part
of who I am and because I feel a sense of
freedom during and after the writing process.
I cannot
imagine not writing. I cannot imagine keeping all those ideas,
thoughts, and observations circling around in my head and not letting
them reach the paper, so as to explore what they can be made into,
how they may evolve.
How
do I write?
Journalling
I write
in my journal, which is where I collect thoughts, opinions, ideas,
poems, observations. Recently, I started an on-line private journal
(www.penzu.com). Journalling satisfies my need to write and as it
isn't going to be viewed, I can feel more free with this kind of
writing than any other. Sometimes its emotional stuff and can
include responses to everyday life, but more recently I write when
I'm inspired/motivated/effected in some way.
Creative
flow is something I have to work hard on so as to not let my inner
critic have its say. I try to write freely and spend less time on
rewriting. I'm aiming for a natural rhythm and momentum. I try to
connect with my writing everyday, even if it is a journal entry.
Current work includes studying children's writing through an Academy of Children's Writing correspondence course; Assignment 7 (there are 10) is a tough one as I have the challenge of writing a synopsis for a non-fiction book along with a chapter by chapter outline and then the first 1000 words of the book.
I'd really like to hear from fellow writers so please do let me know why you write!
Tuesday, 26 June 2012
Home contd...
The term 'home' is highly complicated in a complex and multicultural world like ours and means different things to us. For me, I've just scratched the surface; home can incorporate family, comfort, friends etc. I've still more questions to consider. Is home the place in which you were born, raised and live, or is it a space that gives you a feeling of belonging? What happens when the two are different?
For many multicultural people our ancestors brought their country through memories, stories, traditions and large physical numbers of family and community from home. I have some idea of that migration process even though I learned fragments about it later on in my life through my Guyanese father, who had already spent twenty years in England before we met.
Here I think it's time to introduce two significant family members, my mother Sophia Moore and my grandmother Sophia Hunt. These strong individuals helped shape my start in life in ways I'm truly thankful for and despite the challenges of these relationships, I eventually developed a strong sense of self.
You discover all sorts of unexpectedness when you analyse an old family photo or two. It has only just dawned on me that the above photo of me and my grandmother taken in the back garden of 29 Grosvenor Avenue, Highbury, North London, meant I had visited the house long before I started to live there; no wonder I loved living there and felt right at home.
Although I've no memory of the actual day the photo was taken, I have questions like, was this a special occasion since my grandmother is wearing pearls and a nice little black number? She's smiling, unlike me! What's with my sleeves rolled up, like I'm ready for 'business'. Am I lost in thought? Would I rather not be involved?
There is joy and happiness evident in this photo of me and my mother and if I hazard a guess, I think I may be smiling into a small compact mirror and delighted to see our reflections, although I have no memory, so could be wrong about that.
I loved to play in the garden, which was vertically divided into two and shared with the neighbours upstairs. Our side was on the right looking out from our back window, with its orderly colourful array of rose bushes, nasturtiums, pansies, crocuses, iris and lavender. The left side was neglected and unruly with just long wild grass.
Our next door neighbours had chickens and the daily cock crowing, along with trains passing in the distance, were reassuring sounds. There was a great view of the Canonbury line from the bottom of the garden. Sometimes I would wave at the passengers and get a wave back. The slow moving 3am cargo train would make this strange clanking noise and I would feel the vibrations in my dreamy sleepiness.
For many multicultural people our ancestors brought their country through memories, stories, traditions and large physical numbers of family and community from home. I have some idea of that migration process even though I learned fragments about it later on in my life through my Guyanese father, who had already spent twenty years in England before we met.
Here I think it's time to introduce two significant family members, my mother Sophia Moore and my grandmother Sophia Hunt. These strong individuals helped shape my start in life in ways I'm truly thankful for and despite the challenges of these relationships, I eventually developed a strong sense of self.
You discover all sorts of unexpectedness when you analyse an old family photo or two. It has only just dawned on me that the above photo of me and my grandmother taken in the back garden of 29 Grosvenor Avenue, Highbury, North London, meant I had visited the house long before I started to live there; no wonder I loved living there and felt right at home.
Although I've no memory of the actual day the photo was taken, I have questions like, was this a special occasion since my grandmother is wearing pearls and a nice little black number? She's smiling, unlike me! What's with my sleeves rolled up, like I'm ready for 'business'. Am I lost in thought? Would I rather not be involved?
There is joy and happiness evident in this photo of me and my mother and if I hazard a guess, I think I may be smiling into a small compact mirror and delighted to see our reflections, although I have no memory, so could be wrong about that.
I loved to play in the garden, which was vertically divided into two and shared with the neighbours upstairs. Our side was on the right looking out from our back window, with its orderly colourful array of rose bushes, nasturtiums, pansies, crocuses, iris and lavender. The left side was neglected and unruly with just long wild grass.
Our next door neighbours had chickens and the daily cock crowing, along with trains passing in the distance, were reassuring sounds. There was a great view of the Canonbury line from the bottom of the garden. Sometimes I would wave at the passengers and get a wave back. The slow moving 3am cargo train would make this strange clanking noise and I would feel the vibrations in my dreamy sleepiness.
Subscribe to:
Posts (Atom)








